The National Gallery of Victoria's (NGV) latest exhibition, 'Mother', is a thought-provoking exploration of artists' experiences of motherhood throughout history. It's a unique and powerful showcase that challenges the traditional notions of motherhood, inviting visitors to reflect on the diverse and often contradictory roles mothers play. The exhibition is a testament to the NGV's commitment to presenting diverse and inclusive art, and it's a refreshing change from the typical art world fare.
One of the most striking aspects of 'Mother' is its ability to bring together seemingly disparate works of art in a meaningful way. The exhibition opens with a striking contrast between a 15th-century oil painting of the Madonna and Child by Giovanni Toscani and a 1998 conical birth mat by East Arnhem Land artist Elizabeth Birritjama Ngalandjarri. This juxtaposition sets the tone for the entire show, inviting visitors to consider the historical and cultural context of motherhood and its impact on women's bodies and birthing practices.
The exhibition is curated almost entirely from the NGV's existing collection, with only a few new acquisitions. This approach allows the show to focus on the diverse experiences of motherhood across different cultures and time periods. From the first moments of matrescence to the giving of care, the making of magic, and the inevitable loss and grief, the exhibition traverses the entire life cycle of a mother.
One of the most compelling aspects of 'Mother' is its emphasis on First Nations mothering practices. Co-curator Katharina Prugger, who was pregnant during the creation of the show, notes that the exhibition was inspired by the lack of First Nations stories in other motherhood exhibitions overseas. The show includes works by prominent First Nations artists such as Kate Just, Kyra Mancktelow, Destiny Deacon, and Hannah Brontë, who offer unique perspectives on motherhood and caregiving.
The exhibition also highlights the diverse experiences of motherhood, from the witty lithograph 'Baby' by Davida Allen to John Lorimer's oil painting of a 17th-century colonial maid of colour tending to a white child. Photography and video are prominent throughout the show, offering realistic glimpses into the domestic life of families and the invisible work that goes into raising children.
While the exhibition doesn't claim to capture every facet of motherhood, it does offer a compelling and thought-provoking exploration of the diverse experiences of mothers across different cultures and time periods. The show is a powerful reminder of the importance of art in reflecting and challenging societal norms, and it's a refreshing change from the typical art world fare.
As someone currently on maternity leave, I found 'Mother' to be a deeply moving and thought-provoking experience. The exhibition is a testament to the NGV's commitment to presenting diverse and inclusive art, and it's a powerful reminder of the long thread that connects all mothers. The show is on display at the NGV until July 12, and it's well worth a visit for anyone interested in art, history, and the diverse experiences of motherhood.
